Arrested Development is an alternative hip hop outfit from Atlanta, Georgia consisting of dancer/choreographer Montsho Eshe, vocalist Tasha Larae, vocalist/dancer/choreographer Fareedah Aleem, vocalist 1 Love, guitarist JJ Boogie & frontman/producer Speech. Their 1992 debut 3 Years, 5 Months & 2 Days in the Life of… as well as their sophomore effort Zingalamaduni are widely considered to be the most important entries of their discography, putting out 10 LPs since then with the most recent being Bullets in the Chamber. A year & a half later, their 13th album has finally arrived to start the 2nd half of the year.
“Let’s Get On with It” was a jazzy, soulful boom bap intro produced by Configa calling for everyone to keep striving in their respective fields whereas “All I See is Melanin” kinda has a funkier vibe to the beat talking about melanin pride. “Live Forever” works in some orchestral elements for the instrumental suggesting that people need to be led while “My Job Ain’t Done” hooks up some jazzy horns from Speech explaining his mission is far from over.
We still get some jazz-inflicted brass on “Easy” representing a brand new style of hip hop music just before “Flowers” talks about being unable to help themselves from giving people black power energy. “Forward Ever” kinda has a funkier flare to the beat basing itself around the concept of continually progressing instead of moving backwards while “Pearls” keeps the vibes groovy pleading for the shell to open up & not being afraid.
“Pulsate” finishes up the 2nd quarter of Adult Contemporary Hip Hop with a delicately jazzy boom bap instrumental discussing our palpitations while “Baby Yes” chops up a chipmunk soul sample take on themes of love. “Original” brings a woodwind into the fold praising the lord & keeping the faith while “Mil Town Soldier” finds themselves charismatically riding around in a 1968 Chevrolet Nova.
Bee Taylor joins the crew for a jazzily dusty hardcore hip hop collab “Pack It Out” allowing them to speak on who got the magic & who doesn’t, but then ”Goal Dysmorphia” explains that the titular issue was exactly what happens when one goes through a metamorphosis. “Family” kinda has this lo-fi feel to the beat responding to those questioning who they are by saying they’re like relatives while “Stay Awake” soulfully talks about his dad teaching him not to be poor.
The song “Lifing” marks the beginning of the end regarding Adult Contemporary Hip Hop returning to the boom bap knowing that days can be completely different instantly while “Danger” looks to completely blow any & all competition out of their frame dismantling those whose pen game couldn’t hold up to Speech’s then or now. “Stardust” closes the full-length by atmospherically responding to the question of how they handle their fame.
Reflecting on freedom along with self-determination & the contradictions still woven into African American life this 4th of July, what Arrested Development achieves with Adult Contemporary Hip Hop feels similar to what Public Enemy did on Black Sky Over the Projects: Apartment 2025 last weekend: Proving their relevance after decades in the game. The homage to the late Twan Mack takes on theme of melanin pride, the state of the world since this January, mortality, relationships, love, legacy & bar-for-bar energy elevated in part by soulful boom bap production.
Score: 8/10
