5 installments deep into the He Got a Gun saga & the 9th studio LP from Detroit emcee Bizarre. Emerging as an original member of the now defunct D12 led by the late Proof, he was also among the first in the crew to put out solo efforts with his 1998 debut EP Attack of the Weirdos being a hometown classic in my eyes. Fast forward 7 years later, Biz followed it up with a worthy full-length debut Hannicap Circus & has continued to put out music on his own since, with the last time we heard him being his 11th mixtape 18159 Stout during the first quarter or the year. The Foul Mouth-produced He Got a Gun has since become a whole entire series of it’s own, releasing Basement Jazz as a way of celebrating THE DƎATH OF SLIM SHADY (COUP DE GRÂCE) turning 1.
“Therapy” opens with a drumless gospel sample talking about having eternal loyalty for his brethren refusing to be friends with somebody whose brother got popped by him whereas “Screws Loose” featuring B-Real takes the boom bap route instrumentally still getting psycho with it. “Deep into Thought” works in some pianos to talk about living life to the fullest & showing y’all how to ball just before “Warrants” angrily gets involved with criminal activity.
L.A.R.S. or the Last American Rock Stars reunite on “Bag ‘Em Up” talking about servin’ it up & turning up all the smoke that all the hoes bring to them while “Cooley High” strips the drums to spit that gangsta shit asking why a knife got brought to a gunfight. “He’s Nice” featuring Cassidy finds the pair over a rap rock/boom bap hybrid filled with battle raps leading into “All Gas No Breaks” featuring Kain Cole grittily talking about not slowing down.
“Purpose” featuring Fool Boy Marley gotta has my least favorite guest performance on the entire thing despite the theme of not wanting their friends & family to worry for them, but then “Raised in the Ghetto” hooks up a crooning sample to talk about coming to rob instead of poppin’ bottles. “Practice What I Preach” brings some finger snaps & pianos to the fold speaking on being no good until “I Just Wanna Have Sex With You” ruins synth-lenient beat with average depictions of romance.
Meanwhile on “I Miss My Dogs”, we have Bizarre reflecting over the people in his life who can’t be with him presently while “Motion” by L.A.R.S. featuring X Factor works in a trippy guitar riff talk about steadily being on the move. “Mid July” combines themes of sex with the rockstar lifestyle he’s been on for 2 decades prior to Bruiser Wolf linking up to make some “Junky Music”.
“Get Off My Corner” featuring Jalen Frazier & Max Hilli begins the final quarter of the album with the trio advising certain people to back up from their respective blocks while “David Starr” featuring Foul Mouth & Nick Speed brings a jazzier vibe to the table for them to dismiss being soft. “Tap Dance” featuring Lokye ahead of the “Basement Jazz” outro as a closer hops over some pianos, kicks & snares taking on the lustful themes better than “I Just Wanna Have Sex With You”.
All 4 of He Got a Gun 5: Basement Jazz’ predecessors carry some of Bizarre’s most essential material by himself & I can say the same for most of what we got throughout this latest entry. Foul’s production a whole 365 days since the most vital placement of his resume lives up to the name in that it’s than what he’s done with his longtime collaborator almost a decade since their creative partnership began regardless of the few moments where the performances lack.
Score: 8/10
